Introduction and Allegro for Harp Flute Clarinet and String Quartet, Bach’s Toccata and Fugue in F Major: Delightfully Deceptive, Bach’s Prelude and Fugue in B Major, BWV 868, Diego Ares, “Der Rosenkavalier,” Renée Fleming, and the Passing of Time, Stravinsky Meets Tchaikovsky: Reimagining “The Sleeping Beauty”, Tchaikovsky’s Serenade for Strings: Music from the Heart, Mozart's Symphony No. This album highlights the extraordinary talent of the Official Harpist to H.R.H. The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. Debussy’s lyrical symphonic poem Prelude to the Afternoon of a Faun strikes an entirely different tone. I hope Claire Jone’s excellent performance, with the English Chamber Orchestra under Paul Watkins, will bring its many merits to the attention of a wider audience' (Daily Mail). His flute had an extension that allowed him to play the low notes D flat and C, not then available on a normal flute, and this is the only flute work in which Mozart calls for those pitches. In 1904, Pleyel, the Parisian instrument manufacturing company, commissioned Claude Debussy to write a piece showcasing what they hoped to be a revolutionary new kind of harp. Following Pleyel’s Debussy commission, the competing Érard Company approached Maurice Ravel in 1905 for a piece showcasing its double-action pedal harp. He composed his Harp Concerto in E flat major, op 74 in 1938 for the harpist Ksenia Erdeli (1878-1971), whom he consulted so frequently on the effectiveness and practicality of his harp writing that he eventually offered to name her as joint composer of the work—an honour she declined. Following a cadenza, the piece concludes with a coda filled with sparkling innocence, playfulness, and joy. A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. Emma Debussy (Emma Bardac) Composer Time Period Comp. Nevertheless traces of the ‘A’ section are to be heard in sections C and D, so the music seems in any case to honour the rondo principle of recurrence. The main subject, ushered in by the strings, beings in short phrases but these become longer, and the movement evolves as a set of increasingly florid variations on this opening theme, displaying the lyrical qualities of the two solo instruments against a sensitive orchestral backdrop. We’ll finish with the rhythmic and percussion-filled Harp Concerto … The finale is a cheerful and carefree rondo, its main tune almost Mozartian in cut and rhythm, but with plentiful displays of Russian folk-colouring in the intervening episodes. The piece concludes with a spirited, good-humored jab. Save my name, email, and website in this browser for the next time I comment. In fact whatever Mozart felt about the two instruments individually, in combination they seem to have excited his imagination to produce music both blithe and sophisticated. All these features are summed up in Claude Debussy’s Danses pour Harpe et Orchestre à Cordes, which has become one of the most familiar orchestral works in the harpist’s repertoire. Her latest album, Claire Jones: Harp Concertos (4 Stars) is recommended to all harp fans and to lovers of good tunes. Be that as it may, it took European composers a long time to make good use of its wealth of expressive resources. Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first. Photograph: “Interior with Harp” by French Impressionist painter, Henri Lebasque (1865-1937). His daughter, who was having composition lessons from Mozart, was a capable harp player—she played ‘magnifique’ according to Mozart’s letters. About Us; Chandos Records is one of the world's premier classical music record companies, best known for its ground breaking search for … If you’re a genius like Mozart (and Mozart literally was), you take the most relaxing instruments – the flute and the harp – and bring them together in one relaxing concerto movement. The waltz tempo gives it rhythmic stability, but here the interplay between harp and strings is much more capricious than in Danse sacrée. According to the French musicologist Emile Vuillermoz, the harp—whose history can be traced back to ancient Egypt and Mesopotamia—has always preserved ‘the most lofty patrician traditions of priestly ritual, of nobility and elegance’. His free time, we float through the hazy, colorful dreamscape of Debussy ’ parallel. 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